2016 repress
2011 is set to be a huge year for yousef, and arguably his strongest yet in the production field. after spending much of 2010 recording remixes and productions for other leading labels yousef has come back super-strong on his own seminal circus recordings proven here if needed by his latest vinyl production. it is centered on a very simple premise. taking 2 pieces of music and recreating them with yousefs indiscernibly brilliant club night in mind. a resolutely dance floor-focused ep, that combine to create a unique aural tapestry representative of the circus and yousefs own musical evolution. each is an intricate and heartfelt paean of love to circus and the huge impact it has had on both clubland and yousefs career for the last almost nine years, with the clubs birthday approaching this september. yousef says that, >the ep is a special project for me and one that is indicative of the way im progressing. getting to re-shape these tracks from some of my most respected peers has been a great opportunity to craft them with that special circus sound<

blumoog music is again among you with two really great producers on the electronic scene. the second chapter is produced in collaboration with one of the pioneers of new york s electronic/techno music, famous for his historical label proper nyc. steve stoll wanted to collaborate on this project with m.r.e.u.x. even him a famous electronic music s producer, together they blend in this e.p the origin and the evolution of the techno music, created with heart, passion and analog instruments like it was in the 90 years. the lp includes acoustics and settings what are unparalleled in their style, perfect for the blumoog review, an e.p that really can t miss in your vinyl library, especially be carefull to the fragile heart person. the two new york man s tracks are charming and penetrating at once, with the only style of steve stoll, who gives ourselves techno emotions of high level from 20 years ago. the other three tracks are proposed by m.r.e.u.x. they contains psychedelic and power with a big style. all is accompanied from his known detailed musical elegance. he has also created an intro bonus track with analog machines that s electrifying. welcome in the blumoog s future. another nice shot for blumoog music, good listening and always remember: the electronic music will never end!

hot off collaborations with nottz (titans in the flesh ep) and madlib (bad neighbor lp), socal ambassador blu has teamed up with the paris-based production team union analogtronics (oj & gold) to unleash a new full length album: cheetah in the city. featuring dam-funk, phat kat, frank n dank, and more, the album signifies a stylistic sea change for blu, best known for his dusty, soul sampling collaborations with exile (below the heavens) and his own introspective opuses (her favorite colour, good to be home, york!). rippling with 808s and cinematic strings, cheetah in the city is an organic evolution from the synth-soaked, futuristic sound of analogtronics, union’s 2012 fat beats records debut album featuring talib kweli, mf doom, elzhi, guilty simpson, and more.

2016 repress - pressed on black vinyl
we are delighted and honoured to welcome the mighty dwayne jensen to the landed records imprint. known as >the born entertainer<, dwayne jensen is one of the key artists who helped to shape the detroit house sound and the new evolution of music we now call techno. a self-taught dj, musician, producer and writer, the detroit-born native started off as a jazz drummer & percussionist before gaining respect worldwide as one of the true detroit superstars. we are also delighted that geoff pesche from abbey road studios is back on the mastering and has worked his alchemy on the release

label debut from always human tapes artist suspends his homemade house & techno dioms in liquid, allowing them to distill and disintegrate of their own volition. in the vein of proibito, actress, fxhe.

a special reissue limited triple lp gatefold version of this total classic from carl craig, first released in 1990 on planet e.

laura jones unveiled her new label sensoramic in may with sam and karousel cutting the opening tape in appropriate style. for the second release laura delivers her first ep since 2014. after taking time out to experiment in the studio and refine her style, the why question marks an evolution in the uk producer s output delivering two incendiary underground club cuts ably remixed by trevino and u-more. two veterans working under aliases, trevino is of course better known as legendary drum n bass producer marcus intalex who has more recently found a home for his 4/4 output on klockworks, the nothing special and his own label, birdie. u-more is italian veteran and berliner, ivan iacobucci, fresh from releasing on apollonia and a slew of underground minimalist labels who delivers a late night acid laden afterhours workout to compliment trevino s big room counterpart.

irish lossless darling neil flynn with his second shout. knowing neil for a long time, it is great to see his evolution. contemprorary house with a little goth touch, backed by a rework of everybody’s darling trikk… massive pack! kristian

arcarsenal is back on finest hour with a four tracker ranging from dub techno to junglish atmospherical beats through house and breakbeat. this ep showcases their constant evolution while simultaneously keeping a mature sound and a strong identity.

wrltd series continue with the 12-inch by maltese producer christopher buhagiar. previously known as n.d (natch records, subself records, reaktivate), now he hides under the name of hail blk. with launching of his own self-titled label, he took a step forward in his creative evolution, producing raw analogic techno on the edge between harsh post-industrial grooves and deep hypnotic soundscapes. now we can hear this kind of magic in original tracks on the a-side of the current ep. on the b-side there are 2 amazing remixes of the title track: the apocalyptic industrial anthem by tomohiko sagae (rodz-konez, hue helix), and the multi-layered hallucinogenic excursion by datura dilema (subsist, modularz).

nice price deal !!! vintage electronica aware smart leftfield house jams & ambient interludes

flames & figures is the second full-length album from the seshen, whose forward-thinking sound combines synthesizers, drum machines, live percussion and entrancing harmonies for an unmistakable fusion of r&b, synth-pop and electronic music. the long player sees the band on the cusp of a new era, two years in the making, the album marks an evolution in the seshen’s unique sound.

pau encinas also known as cauto returns after several years of apparent inactivity. his previous ep, 35/8, was published in 2011 via disboot. since then until now, he has worked on several collaborations and remixes. one of the reasons for disboots existence is to promote and release young and local talent. cauto, without exception, is an essential one of these.
from his first release on dj rupture’s dutty artz in 2008, pau has been developing his skills as a producer and talented musician rooted in his background in catalan folk music. the culmination of his musical evolution is the crystallisation of his new lp.

nothing lasts but nothing is lost – terence mckenna first solo ep by zanias after her keluar and linea aspera projects. this evolution culminates in a mature but radical project. radicalism has never relied completely on the means to deliver it. it also requires a relationship to society, to culture, at any given time. a solid background must be included in the formula as well. once certain stability is reached, there is no other way more than taking additional risks in order to produce new work of interest. finding different mechanisms to corrupt the methodical linearity that underlies artistic production. corrupting means finding possibilities to create an accident, possibilities to contradict, to prove anomalies within the frame of reference of that new thought is actually possible.

this album contains four tracks, based on visceral techno oriented dance floor, with knowledge about analog synthesizers, fm synthesis, and 909 processed drums. strained ambiences and uptight drones in the air floating with the true essence followed by the most percussive factors, make this work a purist symbol of techno. a tribute to the evolution dedicated to recreating the universe with his art.

nice price deal !!! meridian is a perfect example of dj 3000s evolution as a producer. the mark of a good producer is to never stop growing, once you do, you are condemned to making the same record over and over again and hoping no one notices. this record is the perfect marriage between the percussive staples of the motech sound, and a new lighter exploration of sound elements by dj 3000. >meridian< dares you to sit still while listening to it, or to stand on the wall if you are near a dance floor. its ability to make you dance as well as captivating your ear if you are sitting and listening illustrates the dynamic flexibility of the motech sound.

three new dancefloor weapons from andre crom s recent production marathon. they are results of a journey both in location and style: written mostly during an extended asia tour, the three tracks explore the borders between techno and house, giving proof of crom s musical evolution. both melodic and highly functional, this ep is prepared to hit the clubs and festivals of the summer.

summer deal! these two titles in the label’s catalogue carefully thread different periods in mosso’s evolution, showing the continuity of that personal sound defined by precise crafted percussions and playful melodies, appealing to the mind, body and soul. ! kander on the a side immediately sets the club pace with a rolling rhythm that serves as foundation for that classic mosso combination of riffs and counterpoints that build tension thru the song bringing it to an emotional peak before quickly stripping down back to the basics. the beat gently goes on, asking for the next ride of excitement. ! tikjda on the b side shows a similar beat, but we soon discover a completely different mood and tone. the percussions go darker, the meandering melodies become unstable and the timbres get nostalgic. a complex balance of north african drums, orchestra winds and drifting synths, build a song that proves as challenging to access as rewarding for those who give in and immerse themselves.

with the ep mental scapes, alva shows a first short format resolutely house. every track is an evolution, a progress. downtown - with its rhythmic part supported by the disco and deep atmospheres - is reminiscent of the influence of the 90s french house on the duos tracks. the shore is a very deep production with a groovy and a minimal bass, with these incisive hi hats and rides, and this sensual vocal. lighthouse uses several musical registers between techno, soul and ny house. the outro, playground, recorded in one shot, is a short downtempo track to enclose in a groovy way this first ep from the parisian duo.

2016 repress... the verged sessions represents the evolution of the chicago/detroit sound à full of lush orchestrated strings, synths and deep pads with a massive foundation of thumping tr-808 & 909 drums. steven has previously unleashed quality deepness, for almost a decade on his own label, emphasis recordings.

rustling pillows, irate flamingos, drums thumped feverishly in basements. tweaked cassettes, noisy buses, restless hands tapping dashboard rhythms in thick dusk traffic. found sound, musique concre&#768,,te, stuttering drum loops forged in twilight boredom — hyperedited into ruminative dance collages. pillow by mischa lively (ne&#769,,e barton, blake): 4 songs, 25 minutes, a hybrid of exertion and uplift. pillow marks both the nashville native’s debut for racecar and the denouement of an evolution. once rigidly stuck to notions of how rhythm should be utilized — barton is a trained percussionist — the producer eventually realized the potential in limiting himself to a minimalist diet of new and archived drum loops from which to build songs. studying myriad treatment techniques, barton then executed a vision unmoored to binary ideas about “live” versus “electronic,” blurring lines as he composed with an ear for idm, dub, techno, and ambient music. hence pillow: a vast assemblage of rhythm and sound performed to mirror the spirit of dance records. indeed, the 12” is as ripe for warehouse parties as meditative nights alone, headphones affixed, candles lit, marveling at the mysteries humans conjure with physical limbs. “rhythm is instinctual to me,” barton remarks when asked about his preference for recording analogue patterns versus beats sourced from 1s and 0s. “and i dislike sitting nearly as much as working from computers.” movement, then, is a virtue to barton, and in mischa lively he’s found a taut, elegant, propulsive vehicle in which to explore it.

repress 2016 - dinky makes her evolution from inaugural dj to singer songwriter and front stage performer with new album dimension d out in june on visionquest. single falling angel is first to drop with remixes from two elite producers, matthew styles, who coproduced the album, and pepe bradock. both heighten dinkys layered ethereal vocals and mesmerising melodies with their own movement and elements of dark and light

back for the second volume of ground fault-interrupt, a compilation series launched last year by the london based imprint inaugurated by michael wells, which has developed into a respected destination for enthusiasts and hardsteppers alike. remaining in a state of evolution, weekend circuit continues to celebrate all that s raucus and right, split across a 2 record release. returning to the label are jeff rushin, pearl, developer, alderaan, and iy, stanislav tolkachev, and antonio de angelis while par grandvik makes his debut. this double vinyl compilation is a mix of pulsating, essential, bottom heavy, and ultimately diverse techno.

keeping with the rough release rate of an album every couple of years, prime numbers label boss trus me is back with his fourth full length, planet 4. featuring nine cuts of intergalactic techno and once again marking a considerable sonic evolution for this acclaimed uk artist. never one to do the same trick twice, david james wolstencroft uses his latest album as a vehicle for his own interest in deep space, physics and dark matter. it is those subjects that have occupied his mind in recent years, and those subjects that inform this brilliantly otherworldly album. where previous lps have variously been funk and soul heavy, or openly analogue and physical, this one is a more subtle and supple techno affair that is as cerebral as it is seductive. starting with a monologue that suggests that man has already landed on mars, 1979 is a cut that immediately places you somewhere in orbit. spooky synths and sci-fi sounds are eerie and atmospheric and very much set a perfect tone. from there, there is slow, elastic and unsettling mood music on the unexplained , deep and insular techno on dark flow and trippy dan bell style minimalism on ring round heart . the second half of the lp touches on chunky dub, manic and melodic grooves. this is a coherent statement that holds together conceptually and musically. as well as providing plenty of dynamite for the more discerning dance floor, planet 4 is also a delightfully detailed affair that will work just as well on headphones late at night.

limited edition reissue on transparent double 12 inch vinyl.

hot off his collaboration with madlib and med (bad neighbor), socal ambassador blu has teamed up with the paris-based production team union to present “la counting”, the lead single off their forthcoming album cheetah in the city. featuring remixes by exile, dibiase, and yann kesz, this limited edition 10” delivers blu’s lyrical love letter to los angeles while union’s synth-soaked production marks a stylistic sea change for the below the heavens mc. rippling with 808s and cinematic strings, la counting is an organic evolution from the signature keyboard-driven sound that put union on the map in 2012 with analogtronics, their debut album featuring talib kweli, mf doom, elzhi, guilty simpson, and more. cheetah in the city will be released later this year on fat beats records, but until then the world will have to keep la counting.

andreas tilliander returns to kontra-musik in a grand style with his second tm404 album. titled acidub , this highly anticipated release is much more of an evolution than a repetition of the first superbly self-restricted album, where tilliander even decided to use only one of the two roland tb-303 waveforms. acidub is a more playful and open listening experience, no doubt inspired by his extensive live touring with the tm404 concept. in fact, you can almost hear tilliander s flock of acid machines breaking free from the restrained modus operandi. every sound is like a migratory bird with a heart yearning for high altitude and favourable winds.

wir bei seayou records freuen uns über das signing der kanadischen soulsängerin erin costelo. die erste single “fighter” ist der vorbote zu ihrem neuen album “down below, the status quo”, das seayou in europa im april veröffentlichen wird. während klassischer soul und pop am vorgänger “we can get over” die verzückung des aufkeimens einer liebesbeziehung untermalten, dominiert am neuen album ein ungeschönter, ein unerschrockener blick auf costelos (und unser aller) leben, besonders gut zu hören in songs wie “fighter”, “low” und “titanic”. auf der anderen seite, und um die balance zu halten, stehen lieder wie “move” und “turn it on”, die hoffnung und kraft geben sollen. mit der inhaltlichen geht auch eine musikalische evolution einher, eine weiterentwicklung costelos als produzentin, songwriterin und arrangeurin. dazu eine eindringliche soul-stimme, die weder in nordamerika noch in europa vergleiche scheuen muss.

on its sophomore release, raar s bold mission of unbridled techno with a punk-rock ethos is continued in tracks from label co-founder maelstrom and newest family member, specialivery. opium wars sets a seething tone, deftly holding a line of tension as machines moan and shriek. focused yet dissonant, the discomfort continues to build without resolution, playing the edge but never grasping hold . diameter of recess starts under the skin in maelstrom s typified controlled chaos. as it grows, the track becomes both an aching roar and a needle-sharp, frenzied insistence, a feral yearning and a frustrated surrender. swiss italian carlo bernasconi is a man of many aliases, the most ferocious of which is specialivery. having eagerly taken up the challenge to push further than the original demos sent, dust detector subsystem is a demonstration of this, cumulating in -an extremely rare, compulsive mental movement- presented in both teeth-bared, club-optimized and more pensive beatless versions. it is with great pride and pleasure that we present the evolution of raar. it is our greatest hope that this work inspires and liberates its listeners. released on 12inch via the vinyl factory

everyone’s expression is unique, interesting and a collaborated product of life’s experiences, so is the music, the art and the vision. we carry this essence in everything that is techfui. our label brings family, friends and fresh talents together, and is built on a strong relationship around the people and their talents. we stay true to our roots, traditions and culture, always forward thinking and cutting edge. the next step in the evolution of the label sound came from our fellow dubai based uk friend nohijo (lee sandwith) for the second instalment. nohijo has been releasing for a while and has recently evolved himself to more raw stripped back house and techno feel.

superconcious present a further evolution for melbourne producer andras. looney house recorded with diy immediacy, this fresh 5 tracker takes subtle cues from cajmere, pal joey and lesser known 90s australian cuts culled from the 3rrr fm library. t.n.t.f. was the fastest track andrás had even written until revving the pajero offroad and clocking 138 bpm on always pumping. on the two mixes of gold coast, he finds heaven in a tourist hell, making hotel room acid before hitting the balcony for some cool breakbeat over a bacardi and coke. the absurdity continues with the horny australiana disco of soy boy, rounding off a welcome return to his inimitable solo work.

new york s gunnar haslam appears on l.i.e.s. with his third lp for the label titled lebesgue measures. picking up where he left off on his last long player mirrors and copulation we hear an evolution in his sound throughout the nine songs. still there are the understated yet grooving acid lines next to carefully programmed drums and attention to surrounding detail which creates beautiful and balanced atmospheres. there is a brightness coupled with an underlying sullenness tapping into some sort of mystical and seemingly obscured narrative which moves through the entire record. deep and immersive stuff to say the least.

side a
* 4 u (kick back mix):
warm and bouncy emax samples with screwed g lyrics – laid back evolution of drums – unexpected break announced by air raid siren and followed with euphoric disco theme.
side b
dedicated to late night club session.
* station wave (club mix):
heavy nonchalant slap bass – progression of house stabs and altered drums – final stage with infected juno voice.
* sneakers 91 (intuitive mix):
efficient wooden piano bass line – 90s digital horny horns – fatal female beat-box voices.

the second of our two part 12 sampler taken from our leftback vol.1 mix cd featuring four previously unreleased tracks is now available in unmixed format on vinyl. the four tracks were previously featured exclusively as part of leftback vol.1 with this second edition including new music from och, ittetsu, kashawar & matthew burton.

on november 13th, pnn records will release the debut album of its most enigmatic artist myr. diamondbacks make wonderful pets is more than just a strange name, it nine tracks represent an exciting evolution in myr.s trajectory as an artist. following his debut ep nobody knows avalon myr. seems to have dug deep and discovered another level to his sound. each of the tracks on the record are confidently offbeat and precisely composed.a little-bitty bowl (with b.hotton), mixes thunder sound-effects with glitchy synth bleeps, layering them above darker tones which build to a perfect storm in the middle. this 10 minute track fails to get boring and is representative of the album as a whole. myr.s ability to carry off strange hybrids is what makes his music unique. from the ghostly warbles of i think i hear them coming to the sunnier sounds of eleanor, myr.s disregard for the norm has lead to an exceptional record that surprises at every turn.

dark entries digs deeper in to the archives of severed heads, one of the longest surviving bands to emerge from the australian post-punk independent music scene. they began in sydney in 1979, incorporating elements of ‘industrial’ noise-generation, tape cutting & looping and electronic sound synthesis. as the project developed song-structures and vocals were employed in a more-or-less recognizable mutant electro pop style. in 1986 the band released the 12” single “petrol” on nettwerk records. we’ve decided to shed light on the evolution of “petrol” with this ep showcasing four earlier incarnations of what became an instant synth pop classic.

there are some elements in electronic music that make them timeless, elements that if melted togheter they can give an impressive result, to the mind and to the body. sawlin - ursprung is the first album of the career of sawlin, after his debut in 2010 he evolved like a wonderful orchid, an orchid that never followed the flow of the other flowers around him, but found his own way to the music. ursprung is the result of an interminable evolution in the mind of the artist, 8 elements that complete a circle buit on a very mysterious athmosphere, like a film that you never saw, but you always had in your head, something more bigger then a memory, and something more deep then a picture.

"asymmetrical code is the evolution of what is known as techno today. the code or song takes you on a journey to the future of the past where you can find an alternate -you- through contemporary realities and soundwaves. starting in 2013 as an underground label with no public releases, the main goal of fragmento & tracy (owners) was to find and collect the perfect sound, ambients and grooves to carry you to the meaning of asymmetrical musical code. on this journey is the listener also accompanied by visual stimulants created by the label to influence or facilitate the mind to wander and build a new creativity within you. for the launch of asymmetrical code, three underlying themes were created; acr-001 by fragmento & tracy, acr-002 by bat, and acr-003 by fragmento. these are the first steps to your journey."

for those who maintain the more mutable dance music is, the deeper its impact on human evolution, rvng intl. presents we are not the first, an epic conducted and deconstructed by chicago artist hieroglyphic being and the j.i.t.u. ahn-sahm-bul. hieroglyphic being & j.i.t.u.. ahn-sahm-bul develop consciousness from primordial ooze. as in listening, the ooze intones an echo of our deep past, rendering the present ever focused. we are not the first is an 11-part epic and each track is a movement therein that testifies: an ensembleãs vitality lives in its collectivity.

finally after 3 years season 1 comes to an end. the birth of concept that has led to the evolution of who we are today. we’ve had the pleasure of working with some incredibly talented artists that have been an inspiration to us helping us shape and form a part of our identity. that is because several reasons is not just about the music, it is about the experience, the exploration, the collaboration, the up times and the down times, the good times and the better times, for the journey… closing off the first season made no other sense than to seal it with a special collaboration from the owners of several reasons, dubit & mynude. an ep that that truly provokes and challenges boundaries of the stereotypical label of “music”. covering all aspects of ambient, atmospheric and experimental types of sounds, the release really an experiment of psychoacoustics.

collection of hits and remixes from 80s italo-disco project scotch.

the mysterious troy returns on dr with his second ep ever released. it seems like the perfect time for troys northbound ep, 4 very distinctive, cold, yet beautifully designed pieces, which perfectly underline the atmosphere this time of year.
on the a side, detail and evolution are the foundation of the lengthy *bh3*, which also futures a hard hitting remix by takaaki itoh from japan.
the b side features two more melodic cuts. *archer* stresses the journey into the cold, with its synth work nearing dissonance, while remaining in complex and admirable harmony. the title track *northbound* is a more straight forward loop, which builds up to something rather chilly and unheard before.

drumma records presents its second collaboration with romanian duo vinyl speed adjust (vsa). the ep titled the awakening shows us vsas intelligent approach to music, an ideal fit at drumma records where creatively effervescent music is embraced with open arms. the record has 4 tracks. the eponymous the awakening is a special trip between break rhythms, modern jazz and a dreamy perpetual arpeggio. it creates a great mood for artists who want to present something special during their set. a2 is the grind, a very strong and acid track with a powerful evolving bassline that creates perfect suspense. inspired by the 90s, its raw and its analogue, definitely a hot track. monoxide comes with a linear rhythmic pattern and a very deep sub-bass sound fused with trippy synth soundscapes, ideal to put in a mental note during a session. the release is topped off with an amazing remix by the great valentino kanzyani. hes brought his own approach to the grind. the remix is a track with very strong groove and an intelligent evolution that creates small sonic worlds at every turn. valentino knows how to masterfully work a constant crescendo where tension and rest is perfectly resolved and we can feel his approach to techno at its best.

ontals work excites many conflicting emotions. exuberant, convoluted and theatrical plots define the watchwords attached to the serbian duo. they represent one of the most paradigmatic examples of how industrial/techno can still offer a wide range of pleasant surprises. a visceral understanding of the scenic rhythm space vs. void establishes a metamorphic composition in short of an almost baroque sensitivity. always moving around an unstable fringe of intuition-rules-over-eclecticism, together with an attitude of total irreverence against the old aphorism, but keeping at the same time an incredible discipline of sophistication, produce a situation where anything touched by them have to be immediately placed at the top of the evolution line of the electronic music. “pietà” simply shows this feeling at their best.

january of 2016 will mark danny krivits 45th anniversary of djing. those decades have essentially spanned the entire arc of contemporary dance musics evolution and, as anyone whos heard him play will attest, danny does the same in his creative, far-reaching dj sets. what better way to mark a 45th anniversary than to release a 45rpm record? the latest offering from most excellent unlimited is a two-sided seven-inch that features danny touching up two percussive monsters that exemplify the down and dirty tribal vibe of the earliest, pre-disco dancefloors.

parasol dance embodies the musical headway and fruition fabio experienced exploring different soundscapes and rhythms in his london based studio this last year. the crisp analogue cuts in the album are peppered with monesis organic evolution from the new jersey sound drawing inspiration from jazz, funk and even acid/jackin house, all the while never faltering on the end product of raw undulating grooves.

from the tropics comes whiskey disco, a sneaky re-edit label bent on dredging the decanter for diffident dancefloor genius from latent disco perpetrators. it is loosely connected to sleazy mcqueen and his assorted cohorts.
summer of my life joins newcomer and alumnus, closed paradise and b.g. baarregaard. the title is a cheeky reference that sidesteps youthful sentiment with a nod towards middle age. b.g. establishes the mood with his impeccable balance of sample and synthesis with the loopy, upbeat astarjatning and the carefree, balearic astargardurinn. closed paradise produces original disco with sheer panache weaving sample and groove with slight melancholic tones across breakin down and wolf sisters. whiskey disco #40 exemplifies our roots and future, a constant evolution of modern disco and vintage edits.

prolific dutch artist conforce is back with another lp on delsin records. this one marks something of a subtle evolution in his sound in that it returns to a more organic and immersive aesthetic. made using various bits of outboard gear, it fuses dub rhythm with ambient detail and propulsive 4/4 kick drums to make for absorbing listening. once again, then, this album proves no one does deep electronic music as well as conforce.

we are proud to present our second release: a split ep between coldgeist & côme, mastered at dubplates. on the side a we have ‘nocturnal’ and its spatial atmosphere from côme, including a remix from in aeternam vale. the minimalism of the original track and the subtle evolution of the bells evoke a wandering through the abyss of a cold night until the final take off. a perfect opening act for this ep. in aeternam vale s remix sounds astonishingly powerful, cold and caustic with its uncompromising minimalism, but also provocative and capable to smash your ass on the dance-floor. on the flipside, ‘nommos’ original track from coldgeist and the remix from alexey volkov bring the power of industrial tones. coldgeist delivers a 7 minutes track which penetrates progressively into our intimacy. the deep atmosphere reinforced by the repetition of ternary patterns allow to approach a mesmeric state.